July, 2022

Joshua Searle: At the above catalogue essay

Joshua Searle – At the above

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Joshua Searle, British Museum, London, 2022, oil stick and enamel on board, 95 x 120 cm

This solo exhibition of Joshua Searle (Australian/Colombian) explores themes relating to childhood, Black genius, joy, colonisation, urbanisation, cross-cultural experiences, industrialisation and psychology.

Featuring a new body of work, this is Searle’s fourth solo exhibition in a year since he held his first show in July 2021.

Continuing with his environmental practice of painting on and with found materials, including reclaimed canvas, real estate auction signs, cabinet doors, this series features his most ambitious scale to date, with large canvases that explore the inner workings of the mind and memory and childhood experiences of racism and violence.

Dragons feature throughout as a symbol drawn from childhood, along with Searle’s signature motifs of Western urbanisation and industrialisation: the car, towering buildings and smoke stacks. The exhibition delves into an exploration of colour and optics, experimenting with a mix of materials: acrylic paints, house paints, spray paints, oil sticks.

Painted to the genius of Kendrick Lamar’s Bricolage rap they explore issues of identity and investigate the history of cultural and financial theft by empire: gold Colombian masks held in the collection of the British Museum, the practice of redlining which denied people access to fundamental rights of housing and security, the exploitative or slave labour of resource production. These are countered with joyful colours and strong representations, reclamation of the artist’s self, through self portraits and use of the bright, bold colours drawn from his heritage.

View exhibition

At the above
Level 1, 198 Gertrude St
Fitzroy, 3065
Australia
info@attheabove.com.au

Donna Brown & The Indigenous Jewellery Project

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Everywhen Artspace and The Indigenous Jewellery Project is proud to present a special NAIDOC Week exhibition: Donna Brown: Gumbaynggirr Jeweller, a new exhibition of jewellery by Nambucca Valley, mid-north coast NSW based artist Donna Brown (Gumbaynggirr).

Brown uses silver, copper, silk, enamel and emu feathers to create ethereal necklaces and chest pieces relating to her heritage and local Dreamings. Emu tracks, astronomy and fresh water/salt water imagery are strongly represented in her work.

Donna Brown has exhibited nationally as a painter, printmaker, textile artist, illustrator and jeweller, and has several of her works held in public gallery collections including the National Gallery of Australia, National Gallery of Victoria and Art Gallery of New South Wales.

Brown has been a workshop facilitator working for Aboriginal art centres such as Mornington Island Art Centre, Queensland, facilitating metal and felt jewellery workshops.

This exhibition evolves from a project created by Everywhen co-director Emily McCulloch Childs, The Indigenous Jewellery Project (IJP), a national contemporary jewellery project working with Aboriginal & Torres Strait Islander jewellers in workshops held on Country with UNSW lecturer Melinda Young, in order to develop a platform for Indigenous contemporary jewellery.

In 2021 IJP partnered with the Australian Design Centre, Create NSW and Jaanymili Bawrrungga, an Aboriginal organisation in Bawrrungga (Bowraville) NSW, in a workshop and professional development project, with works available at the ADC Object online store. A selection of these works are currently on display in the Object Space Window at Australian Design Centre.

Brown had previously been part of Shiny Shiny Blak Bling, a Melbourne based collective of Aboriginal jewellers who worked with jeweller Peter Eccles in developing silversmithing practice. This collective had been one of the inspirations for the creation of The Indigenous Jewellery Project. In a lovely circumstance of fate, IJP began working with one of the artists that had led to its creation, and from this well this current exhibition was born.

It explores Brown’s Aboriginal heritage, silversmithing training and development working with IJP and subsequently remotely continuing the relationship between curator and artist, and brings the beauty and natural world from the artist’s coastal and forest home to the Mornington Peninsula.